Mud Productions has been a Pictage member for over a year and a half. While it has largely been a positive experience, it has not been the best financial decision. Every month I’d watch another $99 slide from my pocket into theirs, and every month I would hope that maybe it would generate some additional income. I frequently weighed the pros and cons, and it really seemed like Pictage had a good thing going yet something about it just felt off. I couldn’t quite articulate it until I began to pursue other options.
It seems to me that Pictage was the best in the business 8 years ago, but the landscape of photography has changed drastically since then. It feels like Pictage is operating with a 1990’s business mindset, and I’m not convinced that they understand or embrace the changes in the way we distribute, view, print, and share photos today.
I heard about Zenfolio over a year ago, but I didn’t know much about it. The only thing I knew really was that they partnered with mpix for all of their printing. I’ve been a huge fan of mpix for about three years, and even though I was a Pictage member I would still recommend mpix to my clients. In my opinion, the quality of mpix is second to none. Pictage has a decent lab to be sure, but mpix is in a league of its own –and it’s cheaper, and faster, and, and…
So today I finally pulled the plug on Pictage, and I’m excited to start using Zenfolio! Obviously I’m a newbie, but as far as I can tell they can do everything that Pictage does, plus a lot more, for a fraction of the cost ($100 a year, to be exact). If you’re a photographer looking for a way to share your photos and sell prints, be sure to check out Zenfolio.
One of my clients posted a review of my work on the Mud Productions Directory Listing on Pictage. She said something that caught me by surprise, yet it seemed to really articulate the way I work. Among other things she said, “He was very easy to work with and anxious to please us.” (emphasis added)
To be honest I’m always a little bit (and sometimes a lot) nervous before, during, and after a shoot. I take a lot of ownership in my work, and sometimes I get emotionally attached to it. Until I hear directly from the client that they like the work I did for them there is always this voice in the back of my head saying, “You blew it! You could’ve done better. They won’t be pleased with this…” It doesn’t matter how good I feel about my work; that voice stays there unless I know for a fact that my client is pleased.
I’ll be the first to admit that I struggle with the negative side effects of this –putting my sense of self-worth in someone else’s hands, focusing on the negative, never being satisfied with my work, etc… However, I think an appropriate amount of this “anxiousness” can still be a good thing for a photographer or anyone in a creative profession.
We tend to get anxious when we deal with the unknown. The voices in the back of our minds tell us to avoid it because of the dangers that lurk there. Yet, this also the land of creativity, imagination, and inspiration. Creativity and failure are cousins. The surest way to avoid both is the stay in the land of the familiar.
To my fellow photographers: I encourage you to try something new that makes you anxious. Rent some new equipment, let someone else take pictures of you, put your camera at risk, ask others to critique your work…
You might fall flat on your face and take the worst pictures of your life, or you just might find the inspiration you’ve been looking for.